Una mirada necessària cap a la societat projectada d’igualtat i diversitat de gènere a la que caminem, es real però? In-Sanctus? Vol dir prou a les violències de gènere a través de la fotografia. És un homenatge en vida cap a elles, una representació a totes les màrtirs del diferents tipus d’abús social que pateixen les dones, en tota la seva amplia gama de generes femenins. In-Sanctus? és un projecte de fotografia digital de color…
Simply Blood my Mind! This unique moment when the pain leaks down your pants and you just keep on going as if nothing has happened, with your best neutral expression shining on your face. Yes women, you are heroïnes, and it is time to tell it loud: yes we bleed, and there is no shame in it! …or not anymore. The reality once more falls into foolishness. We can’t pretend it doesn’t exist, and it…
Carrasca is an author documentary feature from the artistic life of the Spanish painter Teresa Ramón, through her personal experience and constant evolution. It is an audiovisual expression of the arts intersection that brings the audience to the heart of the creative process. She goes through resignation, overcoming and challenges from the veteran artist. A fighter woman who, together with her family and closest friends, gets ready for one of her most important changes in…
Wrapped is a black and white photography series produced in the winter of 2016 in Barcelona, where the character pronounces the stress of being oppressed by a material that, despite its inoffensive appearance, becomes a strong conditioning force. The transparency of the material leads to understanding how subliminal shapes are taking over the new format of oppression in the different levels of nowadays society. Wrapped transmits the pain and the impotence that one can experience…
Aristocrazy in front of a symbol of death. The first traces of a concept start to emerge in this piece: decadence undercovered of a royal appearance. Susy and the Spine is a colour photography series of Vanessa Alami, in collaboration with Ddpendientes, produced in 2016 in Amsterdam. The photographer shows a very well balanced content composition between elegance and fantasy. The final touch of glow on the images leads the eye towards an innocent appearance,…
In the spring of 2013 the third shooting phase from the auteur film Refuges, directed by Alejandro Cortés, joined Ddpendientes in the chaotic city of Buenos Aires. The chance was productive enough and also presented the opportunity to do other parallel collaborations. In this period the artist Vanessa Alami is set in Buenos Aires, the photography collective Maispira gets started. This professional visual platform had other photography and visual artists involved besides Vanessa, like Alejandra León,…
A mi Musa (to my Muse) is a monograph art project from the artist Viviana Gaviria, Buenos Aires, who based her work in the artistic trajectory of Ddpendientes. The project took a very dynamic shape where a poem was written at the end. The first line was launched by Susana and the first art director selected who would represent it in a photoshoot taken by Vanessa. That first images would inspire Susana to write the next verses,…
Líneas, No Rectas (Lines, non Straight) is a photography series where visual illusion plays the main role. Describing a line as a flexible concept (línea) and contrasting it with the rigidity of a straight line (recta); depending only on the perspective we give to our eye, any line can be seen as straight. The photographer Vanessa Alami delights us with an illusion that shows her power of taking a good angle on her images. Her…
Born in the heart of the emblematic city of Barcelona, the artistic duo compromised of Vanessa Alami and VisualSusana decided to decorate the public and alternative spaces with their exhibitions and cultural events. Their activity started out based mainly in the creation of pieces that combined photography and poetry, as well as the creation of an exclusive reality for the taking of a shot. Ddpendientes debut with Kiss me Corasón (Kiss Me my Heart), which…